Henery Mackeson met Barry Brickell in a Whangārei kiln shed, two self-taught tradesmen who agreed on one thing: straight lines make sick buildings.
It was 4:30am when I passed through security at Belgrade airport. I hadn’t slept yet, so I lay across a row of empty chairs and closed my eyes.
There is something deeply grounding about working with raw earth. Long before Driving Creek became home to New Zealand’s most famous narrow-gauge railway …
My first creative memories go back to when I must have been around four years old.
Ivan Anderson is a quiet artist and craftsman more comfortable with his chainsaw than promoting his work.
Henery Mackeson met Barry Brickell in a Whangārei kiln shed, two self-taught tradesmen who agreed on one thing: straight lines make sick buildings.
It was 4:30am when I passed through security at Belgrade airport. I hadn’t slept yet, so I lay across a row of empty chairs and closed my eyes.
There is something deeply grounding about working with raw earth. Long before Driving Creek became home to New Zealand’s most famous narrow-gauge railway …
My first creative memories go back to when I must have been around four years old.
Ivan Anderson is a quiet artist and craftsman more comfortable with his chainsaw than promoting his work.
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