The first time I saw a Coromind magazine was when my English teacher was waving it above the class, explaining we could submit a piece of our writing to potentially have it published.
I previously shared a story of my time in Pádraig Ó Tuama’s poetry retreat, and my lesson in regaining ownership of naming myself an ‘artist’.
Sarah Jamieson has the same first name as me and grew up in the same area. We used to work at the same dairy.
Earlier this year, Caitlin Moloney and I were fortunate to spend time at the Tiapapata Art Centre in Samoa for an artist residency.
Imagine this: morning light filtering through the trees near Parakiwai, where Jazz Gilsenan-Fitzgerald’s workshop hums with the sound of planes smoothing wood.
The first time I saw a Coromind magazine was when my English teacher was waving it above the class, explaining we could submit a piece of our writing to potentially have it published.
I previously shared a story of my time in Pádraig Ó Tuama’s poetry retreat, and my lesson in regaining ownership of naming myself an ‘artist’.
Sarah Jamieson has the same first name as me and grew up in the same area. We used to work at the same dairy.
Earlier this year, Caitlin Moloney and I were fortunate to spend time at the Tiapapata Art Centre in Samoa for an artist residency.
Imagine this: morning light filtering through the trees near Parakiwai, where Jazz Gilsenan-Fitzgerald’s workshop hums with the sound of planes smoothing wood.
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