He’s experienced the many shifts and evolutions in the Drum and Bass scene and brings this depth of experience to his DJ sets, which are wild andloose, overflowing with energy, unique genre bending mashups and underpinned by hefty rolling basslines.
For Murray, throwing something on the pottery wheel embeds a part of his essence into each piece. Whether it’s a single creation or a repeated form, that personal connection remains tangible.
With his bi-lingual (Te Reo Māori and English) lyrics and a metal background, Swizl Jager is able to adapt and produce a wide range of music. Born and raised in Tauranga Moana (of Ngaiterangi and Te Rarawa descent), he is currently residing in Auckland.
Kay first felt the magic of clay when pottery was one of the subjects taught in the design course she was taking at Polytech over 30 years ago.
His sense of humour and favourite musical genres can give even the most respectful and forgiving audience members a desire to check the time on their phones.
He’s experienced the many shifts and evolutions in the Drum and Bass scene and brings this depth of experience to his DJ sets, which are wild andloose, overflowing with energy, unique genre bending mashups and underpinned by hefty rolling basslines.
For Murray, throwing something on the pottery wheel embeds a part of his essence into each piece. Whether it’s a single creation or a repeated form, that personal connection remains tangible.
With his bi-lingual (Te Reo Māori and English) lyrics and a metal background, Swizl Jager is able to adapt and produce a wide range of music. Born and raised in Tauranga Moana (of Ngaiterangi and Te Rarawa descent), he is currently residing in Auckland.
Kay first felt the magic of clay when pottery was one of the subjects taught in the design course she was taking at Polytech over 30 years ago.
His sense of humour and favourite musical genres can give even the most respectful and forgiving audience members a desire to check the time on their phones.
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