I’ve known Navi Dhillon for a few years now, and we’ve often connected over our journeys in Whitianga and how we came to call it home.
Nestled in native ngāhere, on the hill in Whitianga, Lee Jones creates masterpieces with ink on skin.
As artists ourselves, as well as working professionally within the arts, we know first-hand the complexities, joys and exhaustion of it all. One of the best things that keeps us going and keeps us inspired is getting that fresh issue of Coromind.
My parents weren’t serial liars, so they didn’t have to remember all their past lies to maintain their credibility. They only had to remember the two relevant dates concerning my birth.
Fiona Gates describes her journey to clay as both a homecoming and a rediscovery. Growing up in Tāmaki Makaurau before settling in Coroglen, she found in the Coromandel not just the beauty of beach and bush, but a stable foundation for her whānau and creative life.
I’ve known Navi Dhillon for a few years now, and we’ve often connected over our journeys in Whitianga and how we came to call it home.
Nestled in native ngāhere, on the hill in Whitianga, Lee Jones creates masterpieces with ink on skin.
As artists ourselves, as well as working professionally within the arts, we know first-hand the complexities, joys and exhaustion of it all. One of the best things that keeps us going and keeps us inspired is getting that fresh issue of Coromind.
My parents weren’t serial liars, so they didn’t have to remember all their past lies to maintain their credibility. They only had to remember the two relevant dates concerning my birth.
Fiona Gates describes her journey to clay as both a homecoming and a rediscovery. Growing up in Tāmaki Makaurau before settling in Coroglen, she found in the Coromandel not just the beauty of beach and bush, but a stable foundation for her whānau and creative life.
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