Imagine this: morning light filtering through the trees near Parakiwai, where Jazz Gilsenan-Fitzgerald’s workshop hums with the sound of planes smoothing wood.
I first encountered Keegan shortly after relocating to New Zealand. I’d developed a persistent penchant – one that endures – for the occasional indulgence in the decadent temptations of local bakeries.
I’ve known Navi Dhillon for a few years now, and we’ve often connected over our journeys in Whitianga and how we came to call it home.
After completing a Fine Arts degree from Oxford University, I then spent 40 years teaching art – firstly as a secondary school art teacher in the UK and then as Teacher in Charge of art in NZ.
Raised in the Waikato, Raewyn has never forgotten the tutelage gained from many performers and teachers who had been in the theatre a lot longer than her.
Imagine this: morning light filtering through the trees near Parakiwai, where Jazz Gilsenan-Fitzgerald’s workshop hums with the sound of planes smoothing wood.
I first encountered Keegan shortly after relocating to New Zealand. I’d developed a persistent penchant – one that endures – for the occasional indulgence in the decadent temptations of local bakeries.
I’ve known Navi Dhillon for a few years now, and we’ve often connected over our journeys in Whitianga and how we came to call it home.
After completing a Fine Arts degree from Oxford University, I then spent 40 years teaching art – firstly as a secondary school art teacher in the UK and then as Teacher in Charge of art in NZ.
Raised in the Waikato, Raewyn has never forgotten the tutelage gained from many performers and teachers who had been in the theatre a lot longer than her.
Want your work in our magazine?
We love your contributions. Send them through to hello@coromind.nz
We can’t guarantee to print them all, but we love to know what’s important to you.
