I wake early and busy myself with packing a bag, fussing over a layered outfit – Melbourne’s weather can be more volatile than home – then anxiously sift through old writings in an attempt to reassure myself that I have at least a semblance of know-how, worthy of the weekend ahead.
We are Suckafish and we play punk rock. Our style is loosely based on the 90s punk sound but also dips into ska, grunge and metal.
Listen: punk rock agitates, but it always has something to say. Ever since it cursed and spat its way into the beige and regimented mindset of the mid-70s, it’s been loud in calling out the bullshit and challenging the rules.
The second single from eclectic NZ/AU collaboration Milly Moon & Lyle Jenkins, is a soulful reflection on the quiet beauty of transformation.
I liked the sound of classical songs, but I had no notion of becoming a ‘proper’ musician. I knew I didn’t have the patience to truly master it, and decided at university that it was likely a hobby I’d keep casually on the side.
I wake early and busy myself with packing a bag, fussing over a layered outfit – Melbourne’s weather can be more volatile than home – then anxiously sift through old writings in an attempt to reassure myself that I have at least a semblance of know-how, worthy of the weekend ahead.
We are Suckafish and we play punk rock. Our style is loosely based on the 90s punk sound but also dips into ska, grunge and metal.
Listen: punk rock agitates, but it always has something to say. Ever since it cursed and spat its way into the beige and regimented mindset of the mid-70s, it’s been loud in calling out the bullshit and challenging the rules.
The second single from eclectic NZ/AU collaboration Milly Moon & Lyle Jenkins, is a soulful reflection on the quiet beauty of transformation.
I liked the sound of classical songs, but I had no notion of becoming a ‘proper’ musician. I knew I didn’t have the patience to truly master it, and decided at university that it was likely a hobby I’d keep casually on the side.
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