
Caitlin Moloney and Matt Sephton Find a Different Rhythm in Samoa
Earlier this year, Caitlin Moloney and I were fortunate to spend time at the Tiapapata Art Centre in Samoa for an artist residency.

Earlier this year, Caitlin Moloney and I were fortunate to spend time at the Tiapapata Art Centre in Samoa for an artist residency.

Imagine this: morning light filtering through the trees near Parakiwai, where Jazz Gilsenan-Fitzgerald’s workshop hums with the sound of planes smoothing wood.

I first encountered Keegan shortly after relocating to New Zealand. I’d developed a persistent penchant – one that endures – for the occasional indulgence in the decadent temptations of local bakeries.

My own life began in a situation of dishonesty which I outlined in a previous Coromind article. My parents suddenly married and hightailed it to London so my mum could give birth to me free from prying eyes …

Rats eat seeds, bugs, larvae, eggs, whatever is easiest at the time. With rats gone, a boom-bust population relay cycled around Ahuahu / Great Mercury Island.

Earlier this year, Caitlin Moloney and I were fortunate to spend time at the Tiapapata Art Centre in Samoa for an artist residency.

Imagine this: morning light filtering through the trees near Parakiwai, where Jazz Gilsenan-Fitzgerald’s workshop hums with the sound of planes smoothing wood.

I first encountered Keegan shortly after relocating to New Zealand. I’d developed a persistent penchant – one that endures – for the occasional indulgence in the decadent temptations of local bakeries.

My own life began in a situation of dishonesty which I outlined in a previous Coromind article. My parents suddenly married and hightailed it to London so my mum could give birth to me free from prying eyes …

Rats eat seeds, bugs, larvae, eggs, whatever is easiest at the time. With rats gone, a boom-bust population relay cycled around Ahuahu / Great Mercury Island.